So I mean yeah we have such a cross-section of people out there. Stuart Matthewman: We knew that we were going to have to play a lot of the old songs but we didn't want to make it into like a Greatest Hits Tour or anything like that. I think they were a little confused at first. I mean, I was there on the edge, but I wasnt that into it. Sade Adu is hip-hop. As Cottonbelly, Stuart released the dub/electronic album. Recently, Stuart teamed up with singer-songwriter and multi-instrumentalist Vanessa Bley, daughter of Jazz legend Paul Bley, to form the band, In 2016, Stuart has kept busy back in his recording studio with several projects underway: co-writing and producing two songs on Maxwell's latest album earlier this year and composing the film score for the movie. He reluctantly confides that his breakup with marketing came about partly because of his dissatisfaction with the way companies were doing it at the time. Stuart Matthewman started marketing in the mid-90s and actually changed careers half way. Yes, I have. [3] Matthewman co-produced, co-wrote, and played saxophone and guitar on Maxwell's albums: Maxwell's Urban Hang Suite (Columbia, 1996),[4] Embrya (Columbia, 1998), Now (Columbia, 2001) and blackSUMMERS'night (Columbia, 2016). The following week, Perry escorted me to Sades midtown hotel suite overlooking 6th Avenue. Whether its messing with guitar or reggae bass line or some strange keyboard thing that Andrew might do or snare drums on a song that Sade might want to try. And obviously over the years our tastes have grown and we just try different things. If I were somebody else, Im not sure I would like Sade. A hands-on leader, who loves the challenge of developing new market and business opportunities. How they try to learn and educate themselves about that problem is where the nuances come in. But everything was very programmed-sounding, Matthewman explains. So I think that its like oh wow! to the younger people who maybe didnt know about Sade are discovering her, which is great. L+T: What still keeps you so passionate about making music? These guys had a band, but their singer had left. You spend a lot of your life at work. But we pretty much approached the album in the way that we always do. We never think about the record company, we never think about friends or fans, we never think about radio. Its like musical recycling. It doesnt work when one is dictating to the other. We like the same kinds of music, blues and soul. L+T: Over the years with creating this Sade sound, what have you done from a production standpoint to kind of tweak the music as you continue with the times? Stuart is an avid cyclist, and races with New York race team RBNY. You get some perspective on why youre making a record. Daughter of late jazz pianist Paul Bley and pioneer video artist Carol Goss, Vanessa Bley was born in 1985 in Miami, Florida. So, that got me interested and I started collecting albums. Stuart: Well we absolutely loved doing the tour. Im sure people tell you that. A guy from the record company came in and said, Its, really beautiful, have you got drums coming in? And America is obviously always an amazing audience. Its been eight years now, and Sade still hasnt fully emerged from her music slumber to bless us with a new full-length album. Hopefully the organisation outlives all of us; but when were here, were the people that live and breathe the brand and we need to project those brand values collectively out to our people and the rest of the world., The new brand is easier to use but, more importantly, employees believe in it. Sade: This time we wanted to do something more theatrical and take the audience somewhere unexpected. In 2014 Twin Danger signed to Decca Classics/Universal records and released[7] their eponymously titled album in spring 2015. Not just people hanging out with their parents! A guy from the record company came in and said, Its really beautiful, have you got drums coming in? Stuart: Well we have very odd ones. Even your organisation doesnt. And if more people take responsibility the blame game goes away.. He says, Its important to distil your message down to something that relates back to your companys purpose, translates across different markets and is the core of what you do, but allows the nuance to be added in specific markets. How does he do that? Stuart Colin Matthewman (born 18 August 1960), also known as Cottonbelly, is an English songwriter, record producer and musician. I try to write so that it is indecipherable. thank you for posting. We dont always agree, but I always get my way. Some organisations focus on leads or marketing qualified leads (MQLs). Not everything will be perfect. I had an older brother who was always very protective of me. Popular As: Stuart Matthewman: Occupation: Rock Stars: Age: 60 years old: Zodiac Sign: Leo: Born: August 18, 1960 (United Kingdom) Birthday: August 18: Good questions. You mentioned Stuart Matthewman and Andrew Hale before, but what is your relationship like with bassist Paul Denman? Sade released their Bring Me Home Live 2011 DVD a short while ago, which was a homecoming of sorts for the band and their leader, having toured for the first time in a decade. She did, however, tease us with an original song (Flowers in the Universe) contribution to Disneys A Wrinkle in Time soundtrack. I got into that later. We were working on Love Deluxe for about four months, physically making it. It would be easier to blame somebody else, but Im not that kind of person. It opens with The Urban Theme, a vocal-less funk workout that bleeds wah-wah guitar; the track is reprised later on the album in slightly different form, a trick that Gaye used twice on I Want You. Weve managed to get that right. See also. We love it. L+T: Do you think that that preserves the organic quality of the music? [laughs] Youre nervous? Sometimes the songs dont come from my lyrics. I was a 22-year-old kid flying to meet guys who were 50, 60 years old, Maxwell says. In the early 1990s, Stuart Matthewman, the writer, producer, and multi-instrumentalist known for his work in Sade, heard a remarkable demo: a ballad that stretched out over nearly seven. I wanted it to happen, but I was secretly afraid., Then Ascension came out, he adds, and the whole lack-of-visibility part didnt really work.. , produces software that helps large enterprises monitor, manage and troubleshoot their critical networks and systems. His influences include Jr. Walker, King Curtis, Art Pepper, Gato Barbieri, Ernie Isley, Johnny "Guitar" Watson, Wah Wah Watson, Issac Hayes, Bill Withers, Lee Perry, and Gustav Mahler. In 1996 Matthewman along with Andrew Hale and Paul Spencer Denman formed the studio band Sweetback. Were a lot of things, but when youre singing, when youre presenting yourself, you dont give everything away. L+T: Is there anything you would change about your career? L+T: What still keeps you so passionate about making music? I think the history is we got kind of the nod of approval from various hip-hop luminaries and R&B stars. You have this guitar kind of squeaky sound, and it was also a little bit more country than what weve done, it wasnt kind of necessarily R&B. Maxwell then caps the first half of. Im just a girl who likes to party. I told them I would try. Yeah. No matter where people are, regardless of whether someones thirsty or trying to deploy new technology, their problems are largely the same. Stuart is kind of an unsung hero and a truly incredible talent! We talk about the earliest days, go record by record through the Sade catalog, Live Aid, hit some of Stuart is also a member of bands, Sweetback and Twin Danger. And it just seemed like the right song to lead with on that album [Lovers Rock], to go with first. (The Roots also helped out extensively on Baduizm.) [1] With Sade Adu, Paul S. Denman, and Andrew Hale, he gained worldwide fame as the guitarist/saxophonist of the band Sade. While Whenever Wherever Whatever is another demonstration of Maxwells dexterity in the upper register, Suitelady (The Proposal Jam) has more hoarse bite, along with a rhythmic slink not unlike what Prince was playing with around the same time. But today in the B2B space its more about educating people. [1] With Sade Adu, Paul S. Denman, and Andrew Hale, he gained worldwide fame as the guitarist/saxophonist of the band Sade. Stuart Colin Matthewman (born 18 August 1960), also known as Cottonbelly, is an English songwriter, record producer and musician. Although Im proud of them, it was the most that we could do at that time; at that moment in time, we did our best. As Matthewman puts it, When you live and work somewhere, you understand the nuances between the people in different cities and states. Matthewman is tentatively optimistic about the brand update because it has passed the pub test (a concept that the Americans he works with find very amusing), but one thing is clear: his is no ordinary approach to marketing its an evolutionary approach. Your email address will not be published. Some 20-year0-olds, some college kids seem to be. tuart Matthewman of Sade joins Eric of Pods \u0026 Sods in conversation. Therell be no more messaging, people are going to bed. Over the five years he has been with the company, its has seen fantastic growth and its marketing revenue has tripled. After releasing her album Lovers Rock in 2000, Sade wasnt heard again until 2010s Soldier of Love. Stuart has been with Sade since before they were signed - playing guitar, playing sax and co-writing. But we were accepted and there were no problems, no questions or conflicts because we were different. Fair Play with Stuart Matthewman 11,735 views Aug 9, 2015 Filmmaker Clive Williams hangs out with music artist / producer Stuart Matthewman (Twin Danger /Sade) to discuss Stuart's. Even more unusual was that she had two black kids and the village was pure white as the driven snow. He says, The key things to me are consistency, flexibility and collaboration with your key stakeholders: thats the rest of your marketing team around the globe as well as sales, service and people speaking to your customers and enablement. He adds that its critical to listen to the people in the regions for the nuances that happen locally and to work with them to make sure the campaign is actually going to land and work. Sometimes the best songs come out when you discuss them less and just let them happen. But it always ends up kind of sounding like us anyway. Days. ' Matthewman recalls. Then, when they decide to buy, youre in the mix because youve assisted them with taking that journey.. Interview: Sade Michael A. Gonzales reaches into his archives for an interview with the singer from 1992 In the fall of 1992, I received a call from the Epic Records press department in New York City. But he doesnt look, hes nothe doesnt look very feminine. Can you talk a little about you and the band working on this album after not being in the studio for a few years? The singer started her first disappearing act after she took eight years to release a follow-up to 1992s Love Deluxe. But, Cherish the Day, I know if I heard it on the radio I would say, God, this is good. She likes to put out art. The greats Donny Hathaway, Marvin Gaye and Sly Stone. Sade: I love when our music is reclaimed to make something new. 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